Lightscape photography hamilton cracked#
Lightscape photography hamilton series#

Welcome to the mysterious, hidden world of Loyd-Paxton. Inside the rambling building, room after room brimmed with Chinese carved cinnabar furniture, jade sculptures, centuries-old hand-painted screens, and cloisonnР“В© vases, along with Imperial pieces rarely seen outside the Forbidden City. The darkened-glass door to the building opened, and what unfolded must have been like a scene from The Wizard of Oz, when Dorothy opens the screen door after the tornado and a dazzling Technicolor fantasy emerges. He needed to furnish his new 30,000-square-foot house in China, and this warehouse on the edge of downtown Dallas housed some of his homelandРІР‚в„ўs most priceless heirlooms. It was hardly an auspicious arrival for this hotel and real estate magnate from Beijing, but the trip had been essential. It came to a stop in front of number 313. The car pulled off the road and into a labyrinthР’В of parking lots winding through identical low, windowless buildings.

Lightscape photography hamilton cracked#

Their limousine glided west, then south, past long stretches of industrial warehouses, commercial trucking companies, and empty lots with weeds sprouting from cracked asphalt. A man disembarked, four assistants in tow, and with untold billions of Chinese yuan in his bank accounts. His work has also been exhibited and curated by Philippa Adams, Director, Saatchi Gallery, London.In 2014, more than a decade after Loyd Taylor and Paxton Gremillion shuttered their legendary antiques showroom on Maple Avenue, a private jet landed at Love Field. Curated by Flora Fairbairn, the exhibition had over 600 visitors and was listed in the Saturday Times newspaper 'Top Picks' by Rachel Campbell-Johnston, (featured alongside Anthony Gormley, William Blake, Damian Hurst, Cezanne, Richard Hamilton, Barry Flanagan and Paula Rego).

Lightscape photography hamilton series#

He held a series of highly regarded lectures during his time at Merton, completing his residency with a sell-out solo exhibition, 'Lightscape', at Merton in December 2019. During his tenure, his research aimed to explore how balance and well-being can be found through the autonomy and independence of creativity. An artist and educator, Stiles has taught at the Ashmolean Museum, Oxford for the last few years and recently completed a 6-month visiting residency fellowship as 'artist in residence' at Merton College, Oxford University.

Kieran Stiles work is held in many influential and distinguished collections internationally and has been included in group and solo exhibitions throughout the UK, including Browse and Darby, London (2018) Oxford Chamber Music Festival (2018 Artist in Residence) The London Art Fair, with Browse and Darby (2018) Brian Sinfield Gallery, Burford (2017) Lemon Street Gallery, Truro (2016) and Merton College, Oxford University (2015). Stiles examines how practical experience, especially drawing, can drive the imagination and allow us to explore and experiment with alternative perception. Working both from his Oxfordshire studio and from direct observation in the landscape, Stiles pushes the limits of representation using a variety of techniques and mark-making, to produce layer upon layer of fractured painted marks, dashes, scores and splatters, whilst responding to his subject from multiple viewpoints. These visual metaphors evoke the beauty and drama of unique landscapes, particularly the Cornish coast and the sub-tropical beaches of the Isles of Scilly. Worked oil paintings move beyond representation to describe the 'inner reality' or essence of the landscape through painterly abstraction.

Concerned with depicting the particularity of the natural world РІР‚вЂњ the colour, shape and light of a place РІР‚вЂњ StilesРІР‚в„ў richly Kieran Stiles studied Fine Art at Falmouth School of Art, BA (hons), graduating in 1994, and currently lives in the Cotswolds and works from his studio in Oxford, UK.